{"id":434,"date":"2021-11-27T13:13:11","date_gmt":"2021-11-27T21:13:11","guid":{"rendered":"https:\/\/create.twu.ca\/art211tianyu\/?p=434"},"modified":"2021-12-07T16:58:29","modified_gmt":"2021-12-08T00:58:29","slug":"unit-9-abject","status":"publish","type":"post","link":"https:\/\/create.twu.ca\/art211tianyu\/2021\/11\/27\/unit-9-abject\/","title":{"rendered":"Unit 9 Abject"},"content":{"rendered":"<p>When artists start experimenting with mutilated bodies, or bodies that are considered &#8220;ugly&#8221; or even deformed by the public, I tend to think that the artists are trying to create satire. two Followers of Cadmus Devoured By A Dragon 1588) combines gore, violence, dark elements and gnawed bodies into an aesthetic of sensory stimulation and violence. The most important characteristic of &#8220;ugly&#8221; art is that it raises questions, and its purpose is to intervene in real problems. If beauty is complete, normal and harmonious, then we can say that ugliness, which is the opposite of beauty, is broken, abnormal and disharmonious. In &#8220;ugly&#8221; artworks, both the ugly in external form and the ugly in internal meaning carry a certain flavor of disharmony and perversity, and the grotesque that makes people feel horrible or ridiculous has exactly these things. Many of these paintings create a feeling of fear and violence in my psyche through the gory violence and monstrous elements. I believe that by creating a horrific, violent expression, these artists present the distorted, hypocritical, panicked and indifferent gray side of people&#8217;s hearts in the present day.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>When artists start experimenting with mutilated bodies, or bodies that are considered &#8220;ugly&#8221; or even deformed by the public, I tend to think that the artists are trying to create satire. two Followers of Cadmus Devoured By A Dragon 1588) combines gore, violence, dark elements and gnawed bodies into an aesthetic of sensory stimulation and [&hellip;]<\/p>\n","protected":false},"author":1150,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[96,97],"tags":[],"class_list":["post-434","post","type-post","status-publish","format-standard","hentry","category-art211","category-read"],"_links":{"self":[{"href":"https:\/\/create.twu.ca\/art211tianyu\/wp-json\/wp\/v2\/posts\/434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/create.twu.ca\/art211tianyu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/create.twu.ca\/art211tianyu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/create.twu.ca\/art211tianyu\/wp-json\/wp\/v2\/users\/1150"}],"replies":[{"embeddable":true,"href":"https:\/\/create.twu.ca\/art211tianyu\/wp-json\/wp\/v2\/comments?post=434"}],"version-history":[{"count":1,"href":"https:\/\/create.twu.ca\/art211tianyu\/wp-json\/wp\/v2\/posts\/434\/revisions"}],"predecessor-version":[{"id":435,"href":"https:\/\/create.twu.ca\/art211tianyu\/wp-json\/wp\/v2\/posts\/434\/revisions\/435"}],"wp:attachment":[{"href":"https:\/\/create.twu.ca\/art211tianyu\/wp-json\/wp\/v2\/media?parent=434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/create.twu.ca\/art211tianyu\/wp-json\/wp\/v2\/categories?post=434"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/create.twu.ca\/art211tianyu\/wp-json\/wp\/v2\/tags?post=434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}