Photo Safari

I had an interesting experience tackling this activity. It was because I had several objectives that required some abstract thought, I learned to view objects and my surroundings from a different perspective than I normally would have. I used the creative tapestry and pallet of my home as a place to take photos because it was convenient, raining outside and ultimately felt that I had enough subjects surrounding me to complete the task. I found it difficult to find some items, so I skipped over them to others which unfortunately did not save me any time in the long run, but it did help me consider new angles, lighting methods to accentuate each muse.

I love patterns; therefore, the photos that worked best for me were those with contrast and pattern. The photo which I felt communicated the most inventiveness was the dog paw. I moved my dog several times at different angles to experiment with background, but decided upon a nice shag rug that faded off some of colours on his fur. This was an interesting lesson in better preparation and intentionality as it relates to photography and how that can be bridged alongside written work to better communicate a vision or story.

Matt

Storytelling

These days, taking photographs  is akin to breathing – not much effort involved and is practically automated. Most certainly when considering the ease of use alongside the mass proliferation of smart phone technology. In contrast to the standard rapid fire photography, those around me would probably say that I am quite rigid when it comes to photo spontaneity. I enjoy sunsets, seascapes and the art of adapting ones position to best align with background colour and landscape; and finally, perish the thought of ever taking a photograph cutting off feet, hands or heaven forbid, a head. In summary, I always take my time to get it as right as possible.

Thanks to David duChemin’s tips from his book titled, “Ten Ways to Improve Your Craft”, I included a picture of “lunch a la photog”.

By choosing a black and white plate with only green and yellow ingredients, alongside white feta to offset white on plate, I was attempting to use duChemin’s tip on using colour to contrast. I made some attempts to shoot overhead, but this reduced the sense of depth; therefore, I shot the photograph from an angle of the diner to fill the frame and accentuate depth and range. Additionally, I chose to use window light as a natural accent to make the meal more appealing and healthy. I tried some of the other tips such as shooting overhead (boring/no depth) adding a different background and extreme close-ups, but those attempts reduced the appeal of the photograph. Ultimately, the photograph was good, but the meal was better.

Matt

https://moblivious.com/photography/resources/free-ebooks-20-ways-to-improve-your-photography/