News and activities at Norma Marion Alloway Library, Trinity Western University

Author: TWU Library (Page 1 of 2)

Three new Cambridge Companions to Philosophy, Religion and Culture Ebook Titles

 The Cambridge companion to the problem of evil / edited by Chad Meister & Paul Moser.

“For many centuries philosophers have been discussing the problem of evil – one of the greatest problems of intellectual history. There are many facets to the problem, and for students and scholars unfamiliar with the vast literature on the subject, grasping the main issues can be a daunting task. This Companion provides a stimulating introduction to the problem of evil. More than an introduction to the subject, it is a state-of-the-art contribution to the field which provides critical analyses of and creative insights on this longstanding problem. Fresh themes in the book include evil and the meaning of life, beauty and evil, evil and cosmic evolution, and anti-theodicy. Evil is discussed from the perspectives of the major monotheistic religions, agnosticism, and atheism. Written by leading scholars in clear and accessible prose, this book is an ideal companion for undergraduate and graduate students, teachers, and scholars across the disciplines.'”— 

Click here to access this title (authentication may be required)


 The Cambridge companion to ancient ethics /edited by Christopher Bobonich.

“The field of ancient Greek ethics is increasingly emerging as a major branch of philosophical enquiry, and students and scholars of ancient philosophy will find this Companion to be a rich and invaluable guide to the themes and movements which characterised the discipline from the Pre-Socratics to the Neo-Platonists. Several chapters are dedicated to the central figures of Plato and Aristotle, and others explore the ethical thought of the Stoics, the Epicureans, the Skeptics, and Plotinus. Further chapters examine important themes that cut across these schools, including virtue and happiness, friendship, elitism, impartiality, and the relationship between ancient eudaimonism and modern morality. Written by leading scholars and drawing on cutting-edge research to illuminate the questions of ancient ethics, the book will provide students and specialists with an indispensable critical overview of the full range of ancient Greek ethics.'”


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 The Cambridge companion to religion and terrorism / edited by James Lewis.

“There is currently much discussion regarding the causes of terrorist acts, as well as the connection between terrorism and religion. Terrorism is attributed either to religious ‘fanaticism’ or, alternately, to political and economic factors, with religion more or less dismissed as a secondary factor. The Cambridge Companion to Religion and Terrorism examines this complex relationship between religion and terrorism phenomenon through a collection of essays freshly written for this volume. Bringing varying approaches, from the theoretical to the empirical, to the topic, the Companion includes an array of subjects, such as radicalization, suicide bombing, and rational choice, as well as specific case studies. The result is a richly textured collection that prompts readers to critically consider the cluster of phenomena that we have come to refer to as ‘terrorism,’ and terrorism’s relationship with the similarly problematic set of phenomena that we call ‘religion.'”

Click here to access this title (authentication may be required)

ARTstor update: more than 35,000 additional images in photojournalism from Magnum Photos

Magnum Photos and Artstor are now sharing more than 35,000 additional images in the Digital Library, bringing our total to approximately 116,000* of the world’s most recognized photographs. The new release spans the globe from Alaska to the Amazon and Oman to the Arctic Circle.
Among the highlights are black and white shots of daily life in Europe by Raymond Depardon; Middle Eastern tensions and traditions observed by Abbas; elegant staged portraits from Marilyn to Einstein by Philippe Halsman; Martine Franck’s images of both ordinary people and luminaries; a vibrant sequence in India by Alessandra Sanguinetti; and Thomas Hoepker’s striking painterly landscapes. The collection also documents present-day concerns with photographs from geopolitical hotspots like Fukushima, Donetsk, and Aleppo.
Matt Murphy, Magnum’s Archives and Production Manager, identifies some of the most enduring images from our earlier releases: “Student researchers would certainly find some of the subject matter familiar: Robert Capa’s blurry D-Day series, Dennis Stock’s image of James Dean in a rainy Times Square, Marc Riboud’s photo of a hippie woman presenting a flower to rifle-armed National Guardsmen, Stuart Franklin’s Tank Man in Tiananmen Square, and Steve McCurry’s haunting portrait of the green-eyed Afghan Girl. But, these and other iconic photos are only the tip of the vast visual iceberg that constitutes the Magnum archive.”
For seven decades, Magnum’s documentary photographers have been recording events, people, and phenomena from the Spanish Civil War to Vietnam to the present day. They have produced some of the most challenging images of the 20th century and contemporary life: depicting societies, celebrities, industry, landscapes, politics, disasters, and conflict. Magnum’s roster includes dozens of prominent names like Henri Cartier-Bresson, Robert Capa, Eve Arnold, Rene Burri, Elliott Erwitt, Josef Koudelka, Hiroji Kubota, Susan Meiselas, Martin Parr, Alex Webb, whose award-winning work has appeared in publications such as LifeParis Match, and Picture Post, and is included in museums worldwide.
Thomas Hoepker. Gypsum dunes at White Sands National Monument. 1990. Art © Thomas Martin Hoepker / Magnum Photos. Image and original data provided by Magnum Photos.

Thomas Hoepker. Gypsum dunes at White Sands National Monument. 1990. Art © Thomas Martin Hoepker / Magnum Photos. Image and original data provided by Magnum Photos.
Magnum Photos International, Inc. was founded as a co-operative in 1947 by Capa, Cartier-Bresson, George Rodger, and David “Chim” Seymour. They were motivated by what they had seen during World War II and a desire to explore the world that had survived in its aftermath. Cartier-Bresson described Magnum as “a community of thought, a shared human quality, a curiosity about what is going on in the world, a respect for what is going on and a desire to transcribe it visually.” The founders sought to preserve the independence of individual photographers and their creative visions, establishing a cooperative that allowed them to work outside the conventions of magazine journalism. Not only is Magnum owned by its member-photographers but they also retain copyright to their work. Over the decades, this autonomy has enabled them to build an outstanding body of collective work, representing the pinnacle of the photojournalist’s craft.
This collection provides an indispensable resource for Photography as well as Interdisciplinary Studies, supporting research in History, Literature, Urbanism, the Environment and Sustainability, Human Geography, Identity Studies, and other areas impacted by human endeavor or natural forces. It is one of four collections that we are publishing this spring on the theme of photography. Panos Pictures, the Center for Creative Photography, and Condé Nast complete the launch.
View the collection in the Artstor Digital Library (authentication required)
*Image totals may vary from country to country, reflecting Artstor’s obligation to address variations in international copyright.

Upcoming Changes To Artstor

Exciting news–Artstor will be releasing an improved Digital Library this summer. Improvements will include:
  • A new full screen IIIF image viewer with side-by-side comparison mode (no pop-ups or Flash required)
  • Simplified image group sharing: all registered users (previously limited to faculty) will be able to share image groups with other users at your institution
  • Increased web accessibility for users with disabilities
  • Shorter URLs for easier linking in LibGuides, course websites, emails, and more
  • Mobile friendly
The new platform will also include several changes to existing features:
Personal notes and instructor notes are being retired. If you need any information saved in your personal or instructor notes, we recommend copying and pasting this information into your image group descriptions by June 1st.
The citation generator and saved citations will be temporarily removed and added back into the Digital Library after the new release. If you have saved citations that you need, please download them before June 1st.
Saved searches are being retired.
The date filter for search results will be temporarily removed in late May (prior to the release of the new site). It will return, with improvements, as part of the updated site this summer.
We will be pausing the upload and metadata entry functions for personal collections between June 1st and early September. During this time you will be able to share, download, and save your existing images to groups as usual. You will not be able to add new images to your personal collection or edit any of the text associated with your existing images.
Uploading of OIV presentations into personal collections will be retired. If you need to share OIV presentations with students, please convert them to PDFs (instructions here).

How a kind librarian changed author Richard Wagamese’s life

I REMEMBER

How a kind librarian changed author Richard Wagamese’s life

Marsha Lederman’s obituary of Richard Wagamese on Saturday described his life-changing experience in a St. Catharines, Ont., library when he was a homeless teenager. I am a librarian in Oakville, Ont. In September, 2013, I attended a reading for Richard’s book Ragged Company, along with my colleague Ruth Borst. His words that night were unforgettable.
Ragged Company tells the story of four homeless people who find a lottery ticket and win $3.5-million. It’s a powerful, beautifully written novel that deepens one’s understanding of the homeless.
After Richard’s talk, someone in the audience asked him to speak about his education and the important teachers he’d had. He asked how many librarians were in the room. Ruth and I put up our hands along with about 15 other people. He then told us about the St. Catharines librarian who changed his life.
Richard spent every day in the library there, where it was warm and dry, behind a stack of books on his desk. He told us more about the special librarian who answered his questions patiently, recommended books and quietly brought him food.
One day, Richard asked her about a musician he’d been reading about, named Beethoven. He said, “Did you know he was deaf and still composed symphonies, and he could put a hand on the lid of the piano and recognize the notes by their vibration?” The librarian asked Richard if he would like to hear some of Beethoven’s music, and she took him to the listening room.
Shortly after, she took him to see Beethoven’s opera, Fidelio, in Toronto. This was followed by outings to see Tchaikovsky’s Romeo and Juliet and to art galleries. She opened the world for him. He told us that the librarian taught him to read, see, hear and feel through everything she introduced to him.
Richard left St. Catharines and turned his life around. He lost touch with the librarian but never forgot her. He became a journalist and became the first aboriginal writer to win the National Newspaper Award for column writing, in 1990. Stories about his win appeared in all the newspapers. One day he received a card from the librarian. She told Richard how proud she was of his accomplishments. Richard was touched by those words then, and still so emotional about them that he had to pause, speaking through his tears. He realized the librarian probably didn’t know what a big part she played in his success.
Two years later, he got a call from one of the librarian’s children. She had died and her family asked if he would come to the funeral.
So he flew from Alberta to St. Catharines. At the church, he got out of the car and was surrounded by the librarian’s five adult children.
They had never met Richard, but they embraced him in a group hug. They told him he was a central figure in their upbringing. Their mother always talked about Richard at home, telling her kids about what he was reading or learning. They said they were never allowed to complain about their own lives or struggles in school, because their mom would say, “Look what Richard is doing and he has so little.” The kids felt they owed much of their own success to Richard’s inspiration.
We’re fairly certain that Richard ended his talk by encouraging us to treat the homeless with respect, and to help them. We can’t be sure though, as Ruth and I were so emotional and looking at him through tears. We were both thinking about the homeless customers who spent time in our library, and how we might help them.
I never felt so proud to be a librarian as I did that evening, or more resolved to treat the homeless with respect and understanding. I will miss Richard’s voice. Canada has lost a great storyteller and writer.
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